Critical perspectives on works by Rudolfo A. Anaya, Nash Candelaria, and Richard Rodriquez.
Content Note
Function of the la llorona motif in Anaya's Bless me, Ultima /; Jane Rogers --; Ron Arias' The road to Tamazunchale : a Chicano novel of the new reality /; Eliud Martínez --; Buffaloes and cockroaches : Acosta's siege of Aztln /; Norman D. Smith --; Pocho and the American dream /; Luther S. Luedtke --; Concept of time in Nambé-year one /; Nasario García --; On the vicissitudes of being "Puerto Rican" : an exploration of Pedro Juan Soto's Hot land, cold season /; Eduardo Seda Bonilla --; Time and history in Candelaria's Memories of the Alhambra /; Vernon E. Lattin --; Inter-sexual and intertextual codes in the poetry of Bernice Zamora /; Marta E. Snchez --; Tortuga : a novel of archetypal structure /; Edward Elías --; Richard Rodriguez' Hunger of memory as humanistic antithesis /; Tomás Rivera --; Reassessment of Fray Angelico Chavez's fiction /; Genaro M. Padilla --; El diablo en Texas : structure and meaning /; Marvin A. Lewis --; Time as a structural device in Tomás Rivera's "y no se lo tragó la tierra" /; Alfonso Rodríguez --; Establishment of community in Zora Neale Hurston's The Eatonville anthology (1926) and Rolando Hinojosa's Estampas del valle (1973) /; Heiner Bus --; Dynamics of myth in the creative vision of Rudolfo Anaya /; Enrique Lamadrid --; Two texts for a new canon : Vicente Bernal's Las Primicias and Felipe Maximiliano Chacón's Poesía y prosa /; Erlinda Gonzales Berry --; Ana Castillo's The Mixquiahuala letters : the novelist as ethnographer /; Alvina E. Quintana --; Crossing borders : an aesthetic practice in writings by Gloria Anzaldúa /; Monika Kaup.