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    Search Results: Returned 6 Results, Displaying Titles 1 - 6
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      [2018]., UBC Press Call No: NL 796.3 DOW    Availability:0 of 1     At Location(s) Summary Note: "Lacrosse has been a central element of Indigenous cultures for centuries, but once non-Indigenous players entered the sport, it became a site of appropriation - then reclamation - of Indigenous identities. The Creator's Game focuses on the history of lacrosse in Indigenous communities from the 1860s to the 1990s, exploring Indigenous-non-Indigenous relations and Indigenous identity formation. While the game was being appropriated in the process of constructing a new identity for the nation-state of Canada, it was also being used by Indigenous peoples to resist residential school experiences, initiate pan-Indigenous political mobilization, and articulate Indigenous sovereignty. This engaging and innovative book provides a unique view of Indigenous self-determination and nationhood in the face of settler-colonialism."--Page 4 of cover.
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      2019]., Juvenile, Medicine Wheel Education Inc. Call No: 371.8 WEB    Availability:1 of 1     At Location(s) Summary Note: "When Phyllis was a little girl, she was excited to go to residential school for the first time. Her Granny bought her a shiny orange shirt that she loved and wore to school for her first day. When she arrived at the school, this shirt was taken away from her and never returned. This is both Phyllis Webstad's true story and the story behind Orange Shirt Day, which is a day for all Canadians to reflect upon the treatment of First Nations peoples and the message that 'Every Child Matters.'" -- Back cover.
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      2019., Penguin Canada Call No: NL REALISTIC F TAG    Availability:0 of 1     At Location(s) Summary Note: "From the internationally acclaimed Inuit throat singer who has dazzled and enthralled the world with music it had never heard before, a fierce, tender, heartbreaking story unlike anything you've ever read. Fact can be as strange as fiction. It can also be as dark, as violent, as rapturous. In the end, there may be no difference between them. A girl grows up in Nunavut in the 1970s. She knows joy, and friendship, and parents' love. She knows boredom, and listlessness, and bullying. She knows the tedium of the everyday world, and the raw, amoral power of the ice and sky, the seductive energy of the animal world. She knows the ravages of alcohol, and violence at the hands of those she should be able to trust. She sees the spirits that surround her, and the immense power that dwarfs all of us. When she becomes pregnant, she must navigate all this. Veering back and forth between the grittiest features of a small arctic town, the electrifying proximity of the world of animals, and ravishing world of myth, Tanya Tagaq explores a world where the distinctions between good and evil, animal and human, victim and transgressor, real and imagined lose their meaning, but the guiding power of love remains. Haunting, brooding, exhilarating, and tender all at once, Tagaq moves effortlessly between fiction and memoir, myth and reality, poetry and prose, and conjures a world and a heroine readers will never forget."--
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      2019., Adolescent, HighWater Press Call No: GN THI    Availability:2 of 2     At Location(s) Summary Note: "Explore the past 150 years through the eyes of indigenous creators in this ... graphic novel anthology ... These stories [offer a] journey through indigenous wonderworks, psychic battles, and time travel. See how indigenous peoples have survived a post-apocalyptic world since Contact"--Publisher marketing.